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Welcome to
the professional website of |
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Graeme Skinner |
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Musicologist - Writer
- Researcher - Independent Scholar |
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Based in Sydney
AUSTRALIA |
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Author of the recently
released biography |
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Peter Sculthorpe: The
Making of An Australian Composer |
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Sydney: UNSW Press, 2007 Hardback, 693 pages, illustrated, AU$59.95
ISBN 978 086840 2 |
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NAVIGATION
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SHORT CV
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Graeme Skinner
was born in the Victorian country town of
Wangaratta in 1960.
In his early teens – and in the footsteps of its
far more illustrious musical son, Nick Cave – he sang in the local Anglican cathedral
choir and had his early musical training there . |
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He graduated as a Bachelor of Music with first-class honours and first place
in Music at the University of Melbourne in 1983. Settling in Sydney in
1985, he was artistic administrator of Musica Viva Australia until 1990, and
since then has been a specialist freelance writer, reviewer, programmer,
and researcher on commission from most
of
Australia’s peak fine-music performing organisations, recording companies, publications, and festivals.
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In 1998, as recipient
both of a grant from the Music Board of the Australia Council of the
Arts and a 2-year fellowship at the University of Sydney, he began work
on his major authorised biography of Australian composer Peter
Sculthorpe, the first volume of which was published last year.
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He was
awarded a 2007 Harold White Fellow at the National Library of Australia to
continue his Sculthorpe research, and following the release of his
Sculthorpe book has been invited to be a guest presenter at the 2008
Sydney Writers Festival in May. |
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With co-author Michael Noone, he has recently
published major articles and book chapters on their research into the manuscript archives
of plainsong and polyphony
of Toledo Cathedral in Spain. |
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Among other
projects undertaken so far in 2008, he has published commissioned
concert reviews in the Sydney Morning Herald,
CD sleeve essays for ABC Classics, music notes for concerts
by the Melbourne Symphony Orchestra and the Australian String Quartet.
He is currently a part-time Research Associate on the "Australian Composers Online
Project" at the Sydney Conservatorium of Music branch of the University of Sydney
Library. |
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In February-March, he built and launched the new official Sculthorpe
website
www.petersculthorpe.com.au
and will continue to maintain it on behalf of the composer. |
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He is currently also completing a Ph.D in musicology on Sculthorpe at
the Sydney Conservatorium of Music, University of Sydney. |
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As well on the second volume of his Sculthorpe biography (from 1974 through
to the present), he is also working toward A History of Twentieth-Century Australian
Art Music. |
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BOOKS & CHAPTERS
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More on the new book ... |
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GRAEME SKINNER |
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PETER SCULTHORPE
The Making of an Australian Composer |
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Sydney, UNSW Press, 2007
Hardback, 693 pages, illustrated, AU$59.95,
ISBN 978 086840 2 |
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Available online via Unireps, Amazon, Blackwell &c |
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Highlight of press reviews and notices ... |
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[An] absorbing book ... [a] carefully documented chronicle ...providing
gracefully vivid descriptions of the music itself ... The author's
manner is quiet, clear and unpartisan ...
Skinner's mastery of
his sources ... sets high standards for biographical thoroughness and
provides, in an attractively readable way, a vivid sense of Sculthorpe's
day-to-day discovery of music and people in a significant period of our
artistic history. |
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Roger Covell
The Sydney Morning Herald (1-2 December 2007) |
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Graeme Skinner’s superb new biography ... [a]
meticulously researched book, drawing on copious archival material such as
letters and press notices, as well as interviews both with Sculthorpe and
many of his associates, has the feel of a grand symphony, its peculiar music
made audible by fact rather than intrusive authorial interpolation.
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William Yeoman
The West Australian (3 January 2008) |
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Peter Sculthorpe, the
Skinner version [is] a 693-page book which its raison d'etre happily
concedes is THE accurate story of his life. "I've told everyone that if they
find a discrepancy ... then Graeme's [book] will always be right," says the
generous artist. The massive Skinner publication is the most detailed
account yet of the man that the author describes as Australia's best-known
living composer and widely regarded as the country's most important creative
spirit.
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Alison Andrews
The Launceston
Examiner (1 December 2007) |
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Graeme Skinner's new biography of the composer Peter Sculthorpe
tells the story of how, in the 1960s, an appetite emerged among
influential voices for a distinctive Australian musical culture and
of how a generation of talent rose to meet it. Our own age could
tolerate a comparably enlightened intervention though it would be of
a totally different nature and scope. |
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Peter McCallum
The Sydney Morning
Herald (15-16 December 2007) |
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Skinner's portrait of a younger Sculthorpe will conjure an imagined
place on your shelf alongside David Marr’s biography of Patrick White." |
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Robyn Holmes
Curator of Music,
National Library of Australia
Sprint: National Library Bookshop Newsletter (Summer
2007-2008) |
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Skinner
does important work that documents Sculthorpe's earlier career and music,
drawing on interviews, letters and published reviews ... thoroughly
researched and Skinner certainly knows the material ... A book of this
importance [is] certain to be used as a reference in years to come ... |
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Matthew Westwood The Australian (8-9 December 2007) |
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Graeme Skinner’s superb new biography ... [a] meticulously
researched book, drawing on copious archival material such as
letters and press notices, as well as interviews both with
Sculthorpe and many of his associates, has the feel of a grand
symphony, its peculiar music made audible by fact rather than
intrusive authorial interpolation. |
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William Yeoman The
West Australian (3 January 2008) |
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Skinner’s biography chronicles the first half of Sculthorpe’s career
... during which Sculthorpe pioneered an identifiably Australian
style of music ... Ultimately, this is the story of a man who wished
not just to compose, but to write distinctively ‘Australian music’ –
and who succeeded magnificently. |
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Gleebooks &
Readings
Summer Reading Guides (Summer
2007-2008) |
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This work offers a significant authorised biography of Australia's
best-known composer featuring more than 60 images. It presents a
reflective side of Sculthorpe not previously revealed in print. More
than a biography, it examines an episode in Australia's musical past
through the eyes of its key player and includes previously unseen
personal correspondence spanning two decades. This book has been
said to have comparable significance for music as David Marr's
biography of Patrick White had for Australian literature ... |
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Blackwell Online (January
2008) |
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This superb book is a fitting monument to Peter Sculthorpe’s place
in Australian music ... while the book is a meticulously, scholarly
and exhaustive account of a life in progress, Skinner has also
developed his theme of Sculthorpe's contribution to Australian music
... While the biography presents an expected structure - in the
sense that we are told much about Sculthorpe's family background,
education and deep attachment to his hone state and city – it is
Skinner’s real insight into the struggles Sculthorpe had in finding
a distinctive Australian voice that is most illuminating. |
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Christopher Bantick
The Hobart Mercury (23 February 2008) |
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... one of the great strengths of the book (apart from its
comprehensive and meticulous research) is the deft way in which the
author interweaves discussion of the music with the details of the
composer’s life: our art does emerge from what we are and what we
have learned and imagined. |
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John Carmody
The Australian Literary Review (6 February 2008) |
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In his foreword, Skinner clearly states that the idea in Peter
Sculthorpe: The Making of an Australian Composer was to include
everything that impacted, either directly or indirectly, on
Sculthorpe’s musical development. He is also aware that the book
will probably be used as a resource for those studying or writing
about the composer’s life and works for some time to come. In that
respect, this incredibly detailed and immensely enjoyable book can
already be considered indispensable, tracing as it does the artistic
development not just of an individual but of a nation as it moves
towards a musical maturity both sophisticated and highly
distinctive. |
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William Yeoman
Gramophone (UK) (March 2008) |
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... a meticulously detailed biography not only of the man but also
of his almost mythic persona as The Great Australian Composer ...
Graeme Skinner has put together a remarkable piece of scholarship
which will stand as an invaluable tool for research – not only for
aficionados of Sculthorpe’s life and work, but for anyone with an
interest in this tumultuous period of Australia’s cultural history. |
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Elliott Gyger
Australian Book Review (March 2008) |
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Also recently released . . . |
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A new book chapter by |
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MICHAEL NOONE & GRAEME SKINNER |
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“The Nuevo Rezado, Music
Scribes, and the
Restoration of Morales’s Toledo Lamentation” |
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In
Cristóbal de Morales:
Sources, Influences, Reception
Edited
by Owen Rees and Bernadette Nelson
(Studies in Medieval
and Renaissance Music 6)
Woodbridge (UK): The Boydell Press, 2007
426 pages (our article pages 3-20), hardback,
ISBN 978-1-84383-311-6 |
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Abstract ... |
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Morales
composed a considerable number of new works at Toledo for the choir
of the Spanish primatial cathedral in the twenty-three months
between his installation there as maestro de capilla on 1
September 1545 and his resignation on 9 August 1547. This article
presents original documentation for, and transcriptions of, two
previously unpublished 5-voice works preserved in Toledan polyphonic
choirbooks, an Et incarnatus and an editorially reconstructed
Lamentation lesson, Et factum est postquam, dating from Lent
1546 and Holy Week 1547 respectively. |
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Other book publications
... |
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Entries
by
Graeme
Skinner
on composers
from the
Renaissance, Baroque, and Modern eras in
Who's Who in Gay and
Lesbian History
(2 volumes), ed. by Robert Aldrich and Garry Wotherspoon)
(London: Routledge, 2001)
including:
Giovan Primavera
Johann Rosenmüller
Francis Poulenc
Ned Rorem
Karol Szymanowski
Henry Cowell
Michael Tippett
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Graeme
Skinner
(editor)
The Composer Speaks:
Composers and their colleagues discuss Australian music
(Proceedings of the Australian
National Composers’ Conference, 1988); Sydney: Sounds Australian
[Australian Music Centre], 1991;
paperback, vi + 198; ISBN 0-646-04851-1.
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JOURNAL ARTICLES
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A recent refereed journal article by |
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MICHAEL NOONE & GRAEME SKINNER |
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“Toledo Cathedral’s collection of
manuscript plainsong choirbooks:
a preliminary report and checklist” |
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In
Notes
(Quarterly Journal of the Music Library
Association)
63/2 (December 2006), 289-328
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Abstract ... |
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The Spanish primatial cathedral of Toledo possesses one of
the largest surviving collections of indigenously produced plainsong sources
deriving from any major ecclesiastical institution in Western Christendom.
The collection, here described and listed for the very first time, comprises
about 170 volumes for the Mass, Office, and processions, including
atlas-size choirbooks produced for use in liturgical functions held in the
cathedral’s own choir, and smaller volumes for its various chapels. Around
thirty books of non-Toledan provenance have been added to the collection,
forming a musical repository comprising in excess of 22,000 folios. |
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A recent journal essay by |
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GRAEME SKINNER |
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“Peter Sculthorpe: Los Espíritus del lugar”
[Spirits of Place]
[translated by Miguel Ángel Coll]
In
Sibila
(Revista de arte, música y literatura)
(Sevilla, Abril 2006) |
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PUBLIC
PRESENTATIONS
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Two
recent conference papers at the
IAML 2007 Conference
(International Association of
Music Libraries)
Sydney Conservatorium of Music, University of Sydney, 1-6 July 2007 |
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MICHAEL NOONE & GRAEME
SKINNER
“Toledo Cathedral’s plainsong cantorales in
inventories and catalogues, ancient and modern”
Manuscripts, Medieval and
Renaissance Session, 2 July |
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Abstract ... |
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In 2003, the two Australian authors had
the rare opportunity to prepare a modern catalogue and numbering
sequence for an ancient Spanish liturgical library, Toledo
Cathedral’s collection of 170 indigenously produced manuscript
plainsong choirbooks (cantorales). Noone’s discovery and
subsequent transcriptions of a series of cathedral inventories (from
1503, 1539, 1580, 1600, 1649, 1790, and 1809) and other key
documentation informed Skinner’s codicological analysis of
individual volumes, their copying and preservation. Several previous
shelving systems dating back to the late sixteenth-century were also
taken into account in formulating the new catalogue scheme,
organised chronologically (late-15th century to late-19th century)
and by genre, and which has been adopted by the Cathedral archive
for its own use. |
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GRAEME
SKINNER
“The Peter Sculthorpe papers: from
bibliography to biography”
Australian Archives
Session,
5 July
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Abstract ... |
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In 2002 the National Library of
Australia in Canberra acquired the papers of composer Peter
Sculthorpe. Now housed in 150 boxes, over 300 manuscript scores,
correspondence, press reviews and other clipped articles,
photographs, and personalia make up the most comprehensive
composer archive held by any public institution in Australia,
destined to grow as Sculthorpe progressively turns over more recent
papers to the NLA. The contents and organisation of the collection
reflect the composer’s working methods and personal priorities to
date, as do some notable absences, in particular of sketch and other
draft material, which he has consistently chosen not to keep or
otherwise suppress, and of variously revised versions of his works.
This paper discusses the genesis of the collection and its current
scope, critically assesses its current organisation, and describes
how both its contents and shortcomings helped shape and structure
the author’s soon to be published biographical account of
Sculthorpe’s earlier career. |
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The quality and content of
the papers displayed a smorgasbord for all palates: from the highly
researched, historically grounded and excellently read papers of Graeme
Skinner on Peter Sculthorpe's biography and David Pear's paper on the Percy
Grainger Museum Collection through to technical papers on new online
services. |
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Daniele Kaleva
(State Library of
Victoria)
Intermezzo: Newsletter of IAML (Australian Branch) 15/3 (August
2007) |
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