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Graeme Skinner
Musicologist - Writer - Researcher - Independent Scholar
Based in Sydney AUSTRALIA
Author of the recently released biography
Peter Sculthorpe: The Making of An Australian Composer
Sydney: UNSW Press, 2007   Hardback, 693 pages, illustrated, AU$59.95   ISBN 978 086840 2
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Graeme Skinner was born in the Victorian country town of
Wangaratta in 1960. In his early teens – and in the footsteps of its
far more illustrious musical son, Nick Cave – he sang in the local Anglican cathedral choir and had his early musical training there .
He graduated as a Bachelor of Music with first-class honours and first place in Music at the University of Melbourne in 1983. Settling in Sydney in 1985, he was artistic administrator of Musica Viva Australia until 1990, and since then has been a specialist freelance writer, reviewer, programmer, and researcher on commission from most of Australia’s peak fine-music performing organisations, recording companies, publications, and festivals.
In 1998, as recipient both of a grant from the Music Board of the Australia Council of the Arts and a 2-year fellowship at the University of Sydney, he began work on his major authorised biography of Australian composer Peter Sculthorpe, the first volume of which was published last year. 
He was awarded a 2007 Harold White Fellow at the National Library of Australia to continue his Sculthorpe research, and following the release of his Sculthorpe book has been invited to be a guest presenter at the 2008 Sydney Writers Festival in May.
With co-author Michael Noone, he has recently published major articles and book chapters on their research into the manuscript archives of plainsong and polyphony of Toledo Cathedral in Spain.
Among other projects undertaken so far in 2008, he has published commissioned concert reviews in the Sydney Morning Herald,
CD sleeve essays for ABC Classics, music notes for concerts
by the Melbourne Symphony Orchestra and the Australian String Quartet. He is currently a part-time Research Associate on the "Australian Composers Online Project" at the Sydney Conservatorium of Music branch of the University of Sydney Library. 
In February-March, he built and launched the new official Sculthorpe website
www.petersculthorpe.com.au
and will continue to maintain it on behalf of the composer.
He is currently also completing a Ph.D in musicology on Sculthorpe at the Sydney Conservatorium of Music, University of Sydney.
As well on the second volume of his Sculthorpe biography (from 1974 through to the present), he is also working toward A History of Twentieth-Century Australian Art Music.
BOOKS & CHAPTERS
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GRAEME SKINNER
PETER SCULTHORPE
The Making of an Australian Composer
Sydney, UNSW Press, 2007
Hardback, 693 pages, illustrated, AU$59.95, ISBN 978 086840 2
Available online via Unireps, Amazon, Blackwell &c
 
Highlight of press reviews and notices ...
   
BOOK REVIEWS
FULL TEXTS
 

 

[An] absorbing book ... [a] carefully documented chronicle ...providing gracefully vivid descriptions of the music itself ... The author's manner is quiet, clear and unpartisan ... Skinner's mastery of his sources ... sets high standards for biographical thoroughness and provides, in an attractively readable way, a vivid sense of Sculthorpe's day-to-day discovery of music and people in a significant period of our artistic history.

Roger Covell The Sydney Morning Herald (1-2 December 2007)

Graeme Skinner’s superb new biography ... [a] meticulously researched book, drawing on copious archival material such as letters and press notices, as well as interviews both with Sculthorpe and many of his associates, has the feel of a grand symphony, its peculiar music made audible by fact rather than intrusive authorial interpolation.

William Yeoman The West Australian (3 January 2008)

 

 

Peter Sculthorpe, the Skinner version [is] a 693-page book which its raison d'etre happily concedes is THE accurate story of his life. "I've told everyone that if they find a discrepancy ... then Graeme's [book] will always be right," says the generous artist. The massive Skinner publication is the most detailed account yet of the man that the author describes as Australia's best-known living composer and widely regarded as the country's most important creative spirit.

Alison Andrews The Launceston Examiner (1 December 2007)

Graeme Skinner's new biography of the composer Peter Sculthorpe tells the story of how, in the 1960s, an appetite emerged among influential voices for a distinctive Australian musical culture and of how a generation of talent rose to meet it. Our own age could tolerate a comparably enlightened intervention though it would be of a totally different nature and scope.

Peter McCallum The Sydney Morning Herald (15-16 December 2007)

Skinner's portrait of a younger Sculthorpe will conjure an imagined place on your shelf alongside David Marr’s biography of Patrick White."

Robyn Holmes Curator of Music, National Library of Australia
Sprint: National Library Bookshop Newsletter (Summer 2007-2008)

Skinner does important work that documents Sculthorpe's earlier career and music, drawing on interviews, letters and published reviews ... thoroughly researched and Skinner certainly knows the material ...  A book of this importance [is] certain to be used as a reference in years to come ...

Matthew Westwood The Australian (8-9 December 2007)

Graeme Skinner’s superb new biography ... [a] meticulously researched book, drawing on copious archival material such as letters and press notices, as well as interviews both with Sculthorpe and many of his associates, has the feel of a grand symphony, its peculiar music made audible by fact rather than intrusive authorial interpolation.

William Yeoman The West Australian (3 January 2008)

Skinner’s biography chronicles the first half of Sculthorpe’s career ... during which Sculthorpe pioneered an identifiably Australian style of music ... Ultimately, this is the story of a man who wished not just to compose, but to write distinctively ‘Australian music’ – and who succeeded magnificently.

Gleebooks & Readings Summer Reading Guides (Summer 2007-2008)

This work offers a significant authorised biography of Australia's best-known composer featuring more than 60 images. It presents a reflective side of Sculthorpe not previously revealed in print. More than a biography, it examines an episode in Australia's musical past through the eyes of its key player and includes previously unseen personal correspondence spanning two decades. This book has been said to have comparable significance for music as David Marr's biography of Patrick White had for Australian literature ...

Blackwell Online (January 2008)

This superb book is a fitting monument to Peter Sculthorpe’s place in Australian music ... while the book is a meticulously, scholarly and exhaustive account of a life in progress, Skinner has also developed his theme of Sculthorpe's contribution to Australian music ... While the biography presents an expected structure - in the sense that we are told much about Sculthorpe's family background, education and deep attachment to his hone state and city – it is Skinner’s real insight into the struggles Sculthorpe had in finding a distinctive Australian voice that is most illuminating.

Christopher Bantick The Hobart Mercury (23 February 2008)

... one of the great strengths of the book (apart from its comprehensive and meticulous research) is the deft way in which the author interweaves discussion of the music with the details of the composer’s life: our art does emerge from what we are and what we have learned and imagined.

John Carmody The Australian Literary Review (6 February 2008)

In his foreword, Skinner clearly states that the idea in Peter Sculthorpe: The Making of an Australian Composer was to include everything that impacted, either directly or indirectly, on Sculthorpe’s musical development. He is also aware that the book will probably be used as a resource for those studying or writing about the composer’s life and works for some time to come. In that respect, this incredibly detailed and immensely enjoyable book can already be considered indispensable, tracing as it does the artistic development not just of an individual but of a nation as it moves towards a musical maturity both sophisticated and highly distinctive.

William Yeoman Gramophone (UK) (March 2008)

... a meticulously detailed biography not only of the man but also of his almost mythic persona as The Great Australian Composer ... Graeme Skinner has put together a remarkable piece of scholarship which will stand as an invaluable tool for research – not only for aficionados of Sculthorpe’s life and work, but for anyone with an interest in this tumultuous period of Australia’s cultural history.

Elliott Gyger Australian Book Review (March 2008)

  Also recently released . . .    
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A new book chapter by
MICHAEL NOONE & GRAEME SKINNER
“The Nuevo Rezado, Music Scribes, and the
Restoration of Morales’s Toledo Lamentation”
In Cristóbal de Morales: Sources, Influences, Reception
Edited by Owen Rees and Bernadette Nelson
(Studies in Medieval and Renaissance Music 6)
Woodbridge (UK): The Boydell Press, 2007
426 pages (our article pages 3-20), hardback, ISBN 978-1-84383-311-6
  Abstract ...      
Morales composed a considerable number of new works at Toledo for the choir of the Spanish primatial cathedral in the twenty-three months between his installation there as maestro de capilla on 1 September 1545 and his resignation on 9 August 1547. This article presents original documentation for, and transcriptions of, two previously unpublished 5-voice works preserved in Toledan polyphonic choirbooks, an Et incarnatus and an editorially reconstructed Lamentation lesson, Et factum est postquam, dating from Lent 1546 and Holy Week 1547 respectively.
  Other book publications ...                      
Entries by Graeme Skinner on composers from the
Renaissance, Baroque, and Modern eras in

Who's Who in Gay and Lesbian History

(2 volumes), ed. by Robert Aldrich and Garry Wotherspoon)
(London: Routledge, 2001
) including:
Giovan Primavera
Johann Rosenmüller
Francis Poulenc
Ned Rorem
Karol Szymanowski
Henry Cowell
Michael Tippett

 

Graeme Skinner (editor)
The Composer Speaks: Composers and their colleagues discuss Australian music
(Proceedings of the Australian National Composers’ Conference, 1988); Sydney: Sounds Australian [Australian Music Centre], 1991;
paperback, vi + 198; ISBN 0-646-04851-1.

 

JOURNAL ARTICLES
                               
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A recent refereed journal article by
MICHAEL NOONE & GRAEME SKINNER
Toledo Cathedral’s collection of manuscript plainsong choirbooks: a preliminary report and checklist
In Notes (Quarterly Journal of the Music Library Association)
63/2 (December 2006), 289-328
  Abstract ...                  
The Spanish primatial cathedral of Toledo possesses one of the largest surviving collections of indigenously produced plainsong sources deriving from any major ecclesiastical institution in Western Christendom. The collection, here described and listed for the very first time, comprises about 170 volumes for the Mass, Office, and processions, including atlas-size choirbooks produced for use in liturgical functions held in the cathedral’s own choir, and smaller volumes for its various chapels. Around thirty books of non-Toledan provenance have been added to the collection, forming a musical repository comprising in excess of 22,000 folios.




 
A recent journal essay by
GRAEME SKINNER
“Peter Sculthorpe: Los Espíritus del lugar”
[Spirits of Place] [translated by Miguel Ángel Coll]
In
Sibila (Revista de arte, música y literatura)
(Sevilla, Abril 2006)
                             

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Two recent conference papers at the
IAML 2007 Conference
(International Association of Music Libraries)
Sydney Conservatorium of Music, University of Sydney, 1-6 July 2007
MICHAEL NOONE & GRAEME SKINNER
“Toledo Cathedral’s plainsong cantorales in inventories and catalogues, ancient and modern”
Manuscripts, Medieval and Renaissance Session, 2 July
  Abstract ...                  

In 2003, the two Australian authors had the rare opportunity to prepare a modern catalogue and numbering sequence for an ancient Spanish liturgical library, Toledo Cathedral’s collection of 170 indigenously produced manuscript plainsong choirbooks (cantorales). Noone’s discovery and subsequent transcriptions of a series of cathedral inventories (from 1503, 1539, 1580, 1600, 1649, 1790, and 1809) and other key documentation informed Skinner’s codicological analysis of individual volumes, their copying and preservation. Several previous shelving systems dating back to the late sixteenth-century were also taken into account in formulating the new catalogue scheme, organised chronologically (late-15th century to late-19th century) and by genre, and which has been adopted by the Cathedral archive for its own use.

GRAEME SKINNER
“The Peter Sculthorpe papers: from bibliography to biography”
Australian Archives Session, 5 July

  Abstract ...                  
In 2002 the National Library of Australia in Canberra acquired the papers of composer Peter Sculthorpe. Now housed in 150 boxes, over 300 manuscript scores, correspondence, press reviews and other clipped articles, photographs, and personalia make up the most comprehensive composer archive held by any public institution in Australia, destined to grow as Sculthorpe progressively turns over more recent papers to the NLA. The contents and organisation of the collection reflect the composer’s working methods and personal priorities to date, as do some notable absences, in particular of sketch and other draft material, which he has consistently chosen not to keep or otherwise suppress, and of variously revised versions of his works. This paper discusses the genesis of the collection and its current scope, critically assesses its current organisation, and describes how both its contents and shortcomings helped shape and structure the author’s soon to be published biographical account of Sculthorpe’s earlier career.

The quality and content of the papers displayed a smorgasbord for all palates: from the highly researched, historically grounded and excellently read papers of Graeme Skinner on Peter Sculthorpe's biography and David Pear's paper on the Percy Grainger Museum Collection through to technical papers on new online services.

Daniele Kaleva (State Library of Victoria)
Intermezzo: Newsletter of IAML
(Australian Branch) 15/3 (August 2007)