THE EARLY DAYS

In 1862, under the leadership of the Mormon Church, the Eliason family migrated from Malmo, Sweden, to the American state of Utah. Travelling in true pioneer fashion in covered wagons, some of the family settled in Sanpete County as farmers. Olaf and Emma Eliason remained in Salt Lake City, where Olaf set up his business as a jeweller and started to raise a family of his own. The Eliasons were well known and liked in the community. In the fifty-nine years Olaf spent as a jeweller he made thirty-five watches (these were the days of genuine craftsmanship!) including one for the leader of the Mormons, Brigham Young. This had a special feature which rewound the watch each time the cover was opened and closed.
Olaf Eliason
OLAF ELIASON
Olaf and Emma had married on June 7, 1869. Amongst the nine children born to them were Oscar on July 8, 1869, and Franklin on January 9, 1875. From his early years Oscar showed talent as a conjuror. His first public appearance was at the Twentieth Ward Schoolhouse on March 20, 1889, with an amateur troupe, the Maltese and Hammer Minstrels. Magic became of such primary importance that Olaf had to reprove his son for paying more attention to tricks than to his apprenticeship in watchmaking. Olaf, however, was a keen amateur conjuror himself and usually ended up helping Oscar, and designing mechanisms for new effects.
Advertisement for Eliason's Wonders, Opera House, Bountiful, Utah. From the Davis County Clipper Jan.21, 1893. Around May 1890 Oscar appeared at the Walker Opera House with another amateur organization, the Black Bird Minstrels. It was not until he saw Alexander Herrmann, however, that he started to think of a professional career. In January 1893 Oscar performed at the Opera House, Bountiful, and in February/April he made appearances with a group of professionals, the Deseret Minstrels, including a three month season at the Salt Lake Theatre, a tour of states surrounding Utah, and a return performance at the Grand Theatre, Salt Lake City. Around this time he made a name for himself by exposing and duplicating the 'spirit manifestations' of Anna Eva Fay. A Dr. Waite was similarly exposed, in order to settle a wager of $1,000.

He made a tour of the United States in 1896, backed by a Major Silva, displaying such illusions as "Escape from the Gallows", "After the Ball", and two more of which we shall speak later, the "Japanese Trunk Mystery" and the "Mysterious Cycle Ride". He met with great success, and ended the tour with a season at the Grand Opera House.

Oscar had previously met up with a young lady, Edmunda Hammer. Her full name was Juliana Edmunda Virginia Hammer, but she was known as 'Verge', and may have been connected to the Maltese and Hammer minstrels mentioned previously. Edmunda was engaged in performing the same feats as Lulu Hurst, otherwise known as the 'Georgia Magnet', in which she would defy committees of men to lift her from the ground (making use of the principles of leverage to defeat them). Oscar was attracted, and they were married on May 21, 1892. Though they were married under the rites of the Mormon Church, Oscar appears not to have had strong associations with church in later years.

The July 1895 season of entertainments at Salt Lake's "Saltair" holiday resort featured a Grand Masked Ball and Carnival, Professor Wilbert's 'Slide for Life', and Eliason the Wizard.

Under the direction of William A. Brady, the performers travelled through Texas, Mexico and to Cuba where they played in Havana and Cienfuegos. These were dangerous places in 1898; the Spanish-American War had broken out. Americans were incensed at the destruction of their battleship 'Maine', claiming that it had been done by Spaniards who at that time ruled Cuba. The show returned to New York.

The war continued until December 1898. In the meantime the show had travelled through Portland, Seattle and Tacoma and on to Canada. While playing in Seattle the news arrived that Dewey had just defeated a Spanish squadron in the Philippines. In the ensuing victory celebrations the night's show opened to an almost empty house. At Vancouver they met with Maurice Bertram Curtis, a well known entrepreneur, and were offered an engagement in New Zealand, which was accepted on June 2. Going via Honolulu, where the company of twelve played for three weeks, the show prepared to open in Wellington.

Having performed under the title 'Eliason' or 'The Mormon Wizard', Oscar adopted a new stage name, borrowing from the great Florentine poet Dante Alighieri ( 1265 - 1321 ) who wrote the 'Divine Comedy', including the 'Inferno' around 1308 a.d.
From about 1896, Eliason became known as 'Dante'. Interestingly, he had kept this stage name in mind for a long time. Allan Sullivan, an Australian magician and collector, has a first edition copy of Professor Hoffmann's classic work, 'Modern Magic'. On the title page is the inscription, "Dante, Prince of Magic", written by Oscar in May 1880 when he was just eleven years old!

In early August 1898, New Zealand awoke to the magic of
Dante the Great and Mdle. Edmunda.

From Eliason letterhead

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