Guitars of Love
Japanese Retro - Tech
The Resly Tone RT-18

At right is a little retro beauty - the Shin-ei RT-18 'Resly Tone' effects pedal from the '60s. Utilising 3 photo electric sensors and a light driven from a vibrato oscillator, this pedal produces three distinct types of vibrato. The 'Resly' effect sounds a bit like a Leslie Speaker used by Hammond organ players. In typically Japanese phonic style, they called it a "Resly" Instead of "Leslie" - or maybe they had copyright issues . A bit like the Mitsubishi 'Starion' car

Although the Reslytone is all transistor, it's almost completely transparent - more so than many modern devices using ICs & transistors such as the famed Ibinez Tube Screamer and the discontinued Boss 'PN-2' Tremelo/ Pan pedal (pictured at right). These pedals suffer from the problem that including them in the signal path changes the sound of the guitar considerably even when switched to "bypass". The reason is because the buffer circuitry adds brittle sounding harmonics to the sound - and it shouldn't. That's poor design.

The input stage has a very high impedance bootstrap configuration, and when the effect level "intensity" is turned down there is little discernible difference between the switched inputs. This unit is about 40 years old and still running fine. The only major drama which can occur is if the multipin connector to the main board fails. It is made of a type of plastic that will break down if any modern electrical lubricant or cleaner such as WD40 is applied. This happened to mine and it took several painstaking nights of circuit tracing to fix. Fortunately I had taken the trouble to trace out the complete schematic from a tiny copy which was pasted inside the unit to the inside of the case. A scanned pdf of the original schematic is here.

Photo of the insides, including the Kelvin mods. The photoelectric cells are located in the little metal box on the main board.

My modifications entail a true 100% bypass arrangement involving two 6 pole stomp switches. The original circuit had the input hard wired to the input stage at 47K ohm impedance all the time which drained considerable volume and tone from passive vintage pickups. Because I use the Resly at the input from the guitar this is important. The mod gives an input impedance of 470K ohm when operating, but when switched out presents no load on the input. I have also included two other sockets (at the top of the unit) for a total bypass of all pedals using the Resly box to house this function rather than a separate box.

 

 

At right is a detail of the modern stomp switches, sitting next to the original in and out sockets.

 

The mod for inputs and outputs can be found here.

The full original circuit and the new modded one can be found here.

My pedal setup, with the Resly as input: The box to the left is my custom designed and built FET guitar pre-amp. It uses a combination of FETs and regular transistors to simulate the effect of a valve amp in overload from almost totally clean to highly overdriven. It incorporates tone controls before the overdrive stage to make the effect highly flexible and true to the sound of a valve good amp. The circuits aren't rocket science, they resemble anything from the 1940's. I did spend a lot of time experimenting with values and assessing the aural outcome however.

The wooden pedal board has a regulated 9 volt supply built in. It's nice and heavy - doesn't move around and is very intimidating when carried under the arm at gigs!

Nothing new you say?

Well I have to say, having tried the original Tube Zone pedal, that, like the Resly Tone, my FET pedal is vastly more transparent. It does not sound like a solid state device at all, and does not change the sound of the straight guitar. You can switch between the pre-amp and the direct input with no change in tone or timbre. I am currently working on a new version with uProcessor control and a stomp true bypass switch.

The DOD OD-1 is just for going silly occasionally!