The Mouth
From the barrages we pad the dunes crunch underfoot cockles on ancient
middens
through teatree towards a distant roar. rollers dumping and foaming. salt
spray soft-focussing the scene so only the centre where you stand is sharp, the edges
shrouded.
A permapine line of pickets stakes a fort to keep the 4wds beyond the
pale.
A world of white and shades of grey on this overcast day Walk towards the
River Murray Mouth and see no one else in three hours, swallowed as sandgrains in the
vastness.
Beached sandcrabs, chalk bone of cuttlefish soaked in its own ink, kelp, oystershells
worn to blackness and flat smooth palmsized stones for skimming all in muted
monochrome
Then the detritus of colour.
Shreds of polyrope in fluoro orange, blue, green. A manmade gaudiness of excess. Lids
from shampoo bottles, a rubber ball, trash from passing ships. The disposable.
Always the rumbling roar of wind and sea.
towards the Mouth, the wasteland. A string of orange pennants to mark soft edges.
Expanse of sameness. A desert of bulldozed sand, homogenous, devoid of weed, pebbles,
shells, ripples. Spinifex flashing curved needles of light in the
wind The great black serpent of the dredge pipe snaking over
the dunes
The pipesnake shudders and heaves, throbs and pulses Press an ear to the
peristalsis
and it whispers the word
silk
as black sludge passes through itself.
At the end the snake regurgitates black bilge and spews it swirling to the southern
ocean, eroding away the last
dune
The new Mouth of the mighty Murray renamed
Discharge Location A
© rob walker 02. 03. 04. (published in New England Review #21, March 2005.) A revised version appears in the
micromacro collection, 2006.